The Narrator in The Tell-Tale Heart :: Tell-Tale Heart Essays

The Narrator in The Tell-Tale perfume   Through the first person fabricator, Edgar Allan Poes The Tell-Tale Heart illustrates how objet darts imagination is capable of beingness so vivid that it profoundly affects peoples lives. The human beingsifestation of the cashiers imagination unconsciously schemets seeds in his mind, and those seeds grow into an unmanageable situation for which there is no room for origin and which culminates in murder. The narrator takes care of an senile man with whom the relationship is unclear, although the narrators colour of For his gold I had no desire (Poe 34) lends itself to the fact that the old man may be a family member whose death would monetarily benefit the narrator. Moreover, the narrator also intimates a caring relationship when he says, I love the old man. He had never wronged me. He had never given me aggravate (34). The narrators obsession with the old mans eye culminates in his confess undoing as he is engulfed with internal conflict and his own transformation from confidence to guilt.   The statistical regression on the old mans vulture-like eye forces the narrator to concoct a plan to eliminate the old man. The narrator confesses the sole reason for killing the old man is his eye Whenever it fell upon me, my blood ran cold and so by degrees - very gradually - I made up my mind to resign myself of the eye for ever (34). The narrator begins his tale of betrayal by try to convince the reader he is not insane, but the reader chop-chop surmises the narrator indeed is out of control. The fact that the old mans eye is the tho motivation to murder proves the narrator is so mentally unstable that he must search for justification to kill. In his mind, he rationalizes murder with his own unreasonable fear of the eye.   The narrator wrestles with conflicting feelings of responsibility to the old man and feelings of ridding his life of the mans Evil Eye (34). Although affl icted with overriding fear and derangement, the narrator still acts with quasi-allegiance toward the old man however, his kindness may stem much from protecting himself from suspicion of watching the old man every shadow than from genuine compassion for the old man.