Grotesque View of the British Society in Howard’s End and Women in Love

Grotesque View of the British Society in Howards End and Women in Love Eleanor Roosevelt once said that a subaltern simplification would be the first step toward rational living. (Heartquotes.net) After indicant Howards End and Women in Love, by E.M. Forster and D.H. Lawrence respectively, it has become quite go along that a little simplification could do the characters of two novels a broad deal of good. In these condition of England novels, the ideas of love and marriage, how industrialization has affected British life and the revolution of womens rights are all presented, analyzed, and even criticized by both authors. However, if one digs deeper, there are less clear themes which make up the background of each story. Perhaps the most dyed background detail of each authors portrait of England is the radical intellectualism displayed particularly by the characters of the upper class. Through both of these pieces, it is revealed that the characters analytical come on to life paralyzes their ability to take action, has social ramifications, and has a potent result on the attitudes the characters hold toward love. The importance of discussing how to help society is undeniable. It is fair to ordain that those who belong in the haves category have a certain clean-living obligation to provide some aid to those in the have nots category. The problem comes in when the raillery of how to relieve the poor takes the place of taking that action. A fine example of this paralyzing intellect can be seen in Margaret and Helen from Howards End, as they engage in discourse regarding the poor with other members of the elite. The discussion of whether or not giving money to the poor would be pauperizing them (For... ... Whether the characters of Howards End and Women in Love have a hard clipping just loving another person, are paralyzed in action, or affected socially, it is clear that the new intellectualism portrayed in both novels muddles the witness of their lives pictures. Instead of creating a simple, yet elegant portrait of English life, the characters of both novels allow their over-meditation to add blotches of undesirable color to their picture. Instead of a sensory depiction of Englands state, Forster and Lawrence provide the audience with a gaudy, grotesque reckon of British society. Though the intelligence of the upper-class may give the behavior of a more rational society, it is obvious that the characters if Howards End and Women in Love could live more balanced lives if they would, simply, simplify. Works CitedHeartquotes.net. HeartMath LLC. 2004.