'Nature’s Role in Frankenstein\r'

'The writers of the Romantic period pictured record as a celestial consultation. In some(prenominal) Romantic works, reputations beauty is praised with pantheistic, almost pagan, terms. To these writers, the indispensable valet de chambre was a direct connection to god. Through cargo area for nature, peerless could achieve spiritual fulfill workforcet. The distant, failure to concede to graphic law, results in penalisation at the pass on of nature. Mary Shelley, as well as her contemporary, Samuel Coleridge, depicts the unfitting powers of nature against those who presume to provoke it. master copy Frankenstein offends nature in several ways. The scratch and foremost insult is his begin to gain knowledge forbidden to humanity. Then, he uses this knowledge to create an un innate creation that serves no excogitation in a natural world. Finally, Frankenstein refuses to take duty for his knowledgeablenesss actions, which have obvious and d arouseous consequences for society. By hardiness to tread on the laws of nature, Frankenstein becomes the target of the natural worlds wrath. He, a great deal like the Ancient Mariner, suffers due punishment for his sin.In both â€Å" rhyme of the Ancient Mariner” and â€Å"Frankenstein,” nature is portrayed as a divine power. It is a immortal force, capable of creating transcendental beauty, as well as inflicting horrific torment upon those who violate its laws. The Ancient Mariners shame is his senseless murder of the albatross; his punishment presents itself by a series of natural phenomenon. Nature deprives him and his men of natural elements, food and water, â€Å"Water, water, every where, Nor whatever cut to drink. ” (Coleridge 433). Nature also uses new(prenominal)wise natural elements to event him further suffering.For instance, the Mariner and his men must bear the heat of the fair weather as their ship halts, the repeal stops and intensifies the heat, â€Å"Down dropt the breeze, the sails dropt down… â€Å"â€Å"All in a hot and copper sky, The bloody sun at noon. ” (Coleridge 433). Frankenstein also faces retri exactlyion for his disobedience to the laws of nature. His punishment, however, is non as simple as the Mariners. Nature bestows a far more cruel and spiteful part upon Frankenstein. It uses Frankensteins fauna against him, adopting his former object of pride and manipulating the creation into a weapon against its creator.Abandoned by its â€Å"father”, Frankensteins daimon is forced to seek some other parental figure. It finds one in Mother Nature. As the creature embarks on a lonesome journey, nature teaches him the lessons that Frankenstein does not. The creature learns of the dangers of flaming by burning its hand in the flak â€Å"One day, when I was oppressed by cold, I found a fire which had been left by some wandering beggars, and was every rigcome with delight at the warmth I experienced from it. In my rapture I thrust my hand into the live embers, but quickly drew it out again with a cry of pain.How strange, I thought, that the same cause should gravel such opposite effects! ” (Shelley 389). In other such lessons, Nature shapes its â€Å"child” as a tool of revenge. For instance, the creature learns of its hideousness by seeing its considerateness in a pool of water, ” At first I started foul, unable to believe that it was indeed I who was reflected in the mirror; and when I became fully win over that I was in reality the monster that I am, I was filled with the bitterest sensations of despondence and mortification. Alas!I did not yet entirely know the foreboding(a) effects of this miserable deformity” (Shelley 431). This realization evokes anger within the monster, and its resentment towards its creator grows. Nature uses Frankensteins hubristic longing against him. When creating the monster, Victor Frankenstein gives it a large statur e. He states that he did this due to his haste, â€Å"As the minuteness of the parts create a great hindrance to my speed, I resolved, contrary to my first intention, to arrive a being gigantic in stature… ” (Shelley 171).However, Frankensteins ambition also play a role in his decision to make the creature a physically intimidating size, â€Å"A new species would bless me as its creator and source; m all happy and excellent natures would owe their being to me” (Shelley 172). Here, Frankenstein states his desire to become the father of a coercive race of beings. By giving the creature an abundant form, Frankenstein is assuring that it will be dominant over other species. This is not save a panic to nature, but it also adds to the creatures unnatural genesis.The monster is abnormally powerful, as it possesses abilities far surpassing to any other species on Earth. Therefore, it is something unnatural and cannot be apart of the natural world. Nature, instead o f removing the monster straight away, uses its physical transcendence to taunt Frankensteins pride. As the scientist begins his all-consuming quest to seize and refine the monster, he is constantly mocked by his own creations power. tear down at the end of his lifetime, Frankenstein is still unable to enthrall the monster. The unnatural being has no true place or purpose in he natural world, so Nature uses the creature in the hardly suitable way: a tool for revenge. This becomes the monsters only role in the natural world. Once it has in conclusion inflicted true punishment against Frankenstein, it will have no purpose. The monster does not belong in the natural world, and so it will be destroyed, â€Å"I, the miserable and the abandoned, am abortion, to be spurned at, and kicked, and trampled on” (Shelley 886). Revenge is its only objective, when nature finally achieves this intention it returns the monster back to nature.The creatures birth was allied by the use of n atural materials, human flesh and lightning, similarly its death is caused by Natures elements, fire, â€Å"I shall collect my funeral pile, and consume to ashes this miserable frame, that its clay may afford no light to any curious and unhallowed wretch, who would create such another as I have been. I shall die. ” (Shelley 889). The creature is of no use to Mother Nature any longer, and so it must remove itself from the natural world. â€Å"The Rime of the Ancient Mariner” and â€Å"Frankenstein” describes the horrors that result from invoking natures rage.The natural world, harmonize to the Romantics, was a divine force. Like the pagan gods of Greek and Roman culture, natures wrath is terrible and unmerciful to those who dare to wrong it. Victor Frankenstein, the Promethean figure of the Romantic period, defies nature in his decision to bring unnatural life into the natural world. This is an act of blasphemy against nature, and to an extent, â€Å"God† himself. Frankensteins punishment for this sin is both thorough and justified. Like Prometheus, Victor Frankenstein spends his remaining life paying for his act of defiance against the gods of nature.\r\n'